Welcome to the first post of my new blog feature, A Musical Moment! I’ll be talking about tracks or albums of music that I love from video games, anime, and other nerdy media I watch and going in depth about why I love them so much. For my first feature, I wanted to do a track from my favorite RPG of all time: Final Fantasy VI!
This particular track is from the 3rd disc of the soundtrack, which I find to be the most neglected disc from the OST. I find all of the World of Ruin music to be amazing, but this piece in particular from that section of the game is one I adore.
Picture this: You’re in a baron wasteland of a world, and barely realized that at least a few of your friends are alive. But you still have to stop the mad man who sent the world into chaos. To do so, you need an airship to get to the big bad’s airborn tower, which, the only airship was destroyed when the world was. But, hurray! You find out your airship pilot was hiding a second pair of wings (attached to a tragic backstory, because of course) and had to go to an underground crypt to get the new airship.
Cut to outside. The baron wasteland is still prominent, but amongst the murky waters of the ocean, you see a cresting wave. It’s your airship bursting out of the water, taking its first flight, and the first few chords of this play:
I LOVE THIS THEME! It captures all the hope your party is feeling in that moment. There are still some unsure, melancholy chords in it, but the main melody soars it the absolute joy that is realizing it’s alright to hope again. And, as a bonus, this is your new world map theme! What impresses me about this song is it’s chord structure, as well. I’ve been transcribing different Nobuo Uematsu tracks on piano, partially to learn piano and particularly because I was curious. Most, if not all of his melodies, are all done entirely in one scale! Searching for Friends has 2 sharp notes in its melody structure, but the rest are white keys. It never strays out of the scale it starts in, and that always amazes me. It’s fantastic how many melodies you can make with only one octave at your disposal, and even when Uematsu-sensei goes outside of the octave in other tracks, it’s still just transposed notes. It’s something I’ve been mirroring in my compositions, because if you’re going to learn how to make music, why not learn from one of the greats?
When I think of all that Final Fantasy VI captures for me, I think of this song. Simply a gorgeous piece of music, wonderfully written.
And that was my first musical moment! Hope you enjoyed it. What’s your favorite track from Final Fantasy VI? Let me know in the comments below!